Quite early on Withnail and I presents one of the most powerful cinematic sequences of all time. For sheer thunderous energy it compares with the famous helicopter assault in Apocalypse Now. There the machine-assisted rape of a coastal Viet Cong village is reinforced by Wagner’s Ride of the Valkyries. In Withnail the scene is only the demolition of some Georgian terraces in shabby 1960’s Camden Town but – with a Hendrix soundtrack absolutely dwarfing Wagner’s best efforts – an image of merely local obliteration somehow becomes the final destruction of all cities.

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